Interview

My name is Janet Zibell. I came to the U.S. from England in 1992 and currently live in Olympia, Washington.  My writing career has encompassed journalism, copywriting and PR consultancy and I have also been involved in book publishing. My focus now is screenwriting.

Is THE LIGHTHOUSE your first script? If not, what else have you completed?

My first script was a semi-period piece set partly in King Arthur's time and partly in the present. I have three specs completed.

Why did you write THE LIGHTHOUSE? And how long did it take you to write it?

The Lighthouse was inspired by an experience I had years ago at a remote lighthouse in Wales. It could be set anywhere and has a relatively small cast and few locations.

The first draft took about six months from initial concept. With feedback and rewrites, the current script was about 12-15 months in the making. I find professional feedback extremely valuable, and taking a break from the script while working on something else can lead to new inspiration, too.

Describe your process; do you have a set routine, method for writing?

I like to set aside blocks of time where I can be really focused with no distractions. I make sure the concept is solid, with a good, visual story that takes people into the world of the movie. I'll list major beats and structure, followed by an outline, but the outline usually changes as the script evolves. Once I have a first draft I'll go out for feedback and start the rewrite process – I've learned to love those rewrites!

What inspires you to write?

Great stories.  I'm also inspired and fascinated by the synchronicities of life, the mysterious and unexplained – all the things that make great movies.

Apart from writing, what else are you passionate about?

 My family. The people I care about. I also love to read, travel and watch movies. To explore new places, meet new people and learn new things.

What influenced you to enter the Movie Script Contest?

I heard some good reports about the contest and when I checked it out I liked the sincerity apparent in the list of sponsors and the way in which the scripts are categorized. It makes sense to me to compare like with like, and I appreciated that.

Do you feel that screenwriting contests are worthwhile for writers and why?

Contests are definitely worthwhile, providing valuable access to professional readers, agencies and decision makers that would otherwise not be available to unknown writers.

Who is your favorite screenwriter or writer and why?

I'd hesitate to name a single favorite. I loved the work of the late Anthony Minghella and I'm a huge fan of Alan Ball. I also rejoice in the breath of fresh air provided by Diablo Cody.

Any advice or tips you’d like to pass on to other writers?

Keep on writing and never be discouraged. If we're not creating in some way, whatever the form of expression, then we're not really living.  Network.  Learn the business, as well as the craft.

What’s next for you?

Ideally?  To sell or option a script and gain a writing assignment.  In the meantime, I'm working on a book adaptation.